Category Archives: evolution

1PAGE: # 45

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It’s time for Global Truth and Reconciliation. Whether you think we can, or whether you might
think we can’t … you’re absolutely … right!

And so, The Wine and Cheese Miracles; prose, poetry, tragedy, comedy, and, in #twitterfiction,
prophesy … nonfiction, posing as … fiction.

Poetry melding Ovid’s and Emily’s; in poems to men and women about change, visionaries
ask … Of what good are borders … and nationalities?

A poetic and prosaic tragi-comedy, and in surreal, nonfictional #twitterfiction, yes,
prophesy too … for prophesy oft is but … educated guess.

Take cues from events unfolding at Sochi; criminal minds oft wait until marks relax. A black
widow … shall emerge from her lair … to attack.

A black widow prays to her deity, He of the Jews, Christians and Muslims; praying her mission
succeeds … in #twitterfiction-al … nonfiction.

And succeed she shall; for she needn’t kill another to accomplish her misguided mission;
so it may be … in #twitterfiction-al … nonfiction.

1 PAGE: #38

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Prisoners for life; so are we all in our respective paradigm matrices. Only but illusorily free are we not hemmed in by razor wire, tall walls and iron bars.

It has been Scripturally written that the truth shall set ye free; but His truth is not limited to one people, much less, any one individual, save One.

This nonfictional #twitterfiction-al history of the world, The Wine and Cheese Miracles, is written (albeit in vain), because our Creator foreordained that it be written.

Predestination; so completely at odds with our illusion of free will, is nonetheless consistent with a Creator Whom knows numbers of hairs on heads, from moment, to moment.

Predestination; not new, historically speaking, but a radical, and to many a heretical doctrine, pointedly, NOT, generally accepted doctrine.

Prisoners for life; but we’re our own jailers; and we have the keys to our cells in our hands. Perhaps God inspired the Scriptures, cross-culturally, so we’d understand …

… that it’s of the utmost importance that His children aspire and struggle to overcome adversities inherent to life … after The Fall … from His Kingdom.

1PAGE: #37

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1PAGE: #37.

1PAGE: #37

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Verily, in Puerto Rican back-water eddies of the often treacherously tranquil Twitter-Stream, Arthur’s been inundated, by a flood of dreams.

Why Puerto Rico? Why Arthur? Notwithstanding its sheer implausibility, Arthur’s been reasoning that it has to do with his Spanish roots; Jewish, Muslim and Christian.

Art knows too little about too many things; his own geneological tree is but one of them. However, he knows of the flux that for centuries, Spaniards have been living in.

The happenstance of Arthur’s being born in Puerto Rico raises, for him, intriguing questions. Who were his forbears and of what faith(s)? And, was it faith that drove them … or fortune?

Or perhaps, as is often the case, both. After all, Arthur’s introspections have revealed to him that both, faith and fortune … are driving him.

Faith and fortune, and indeed, the freedom to pursue them; these are often, of dreams, foundations. Too few are realized; too many are by others, actively demeaned.

To wit, as Bo visits S. Africa and Nelson clings to this life-dream, yet another dreamer, Oscar Lopez Rivera, is in his 33rd year of captivity, as an American, political prisoner.

1 PAGE: #35

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ON TWEETING as modus operandi: Grand; grander still’s dat dis plan (of dreams born), is on tweeting nonfictionally, via #twitterfiction, to nations.

ON TWEETING as modus operandi: Grand; grander still’s dat dis plan on tweeting da nations nonfictionally via #twitterfiction, is surreally, unfolding itself, upon.

ON TWEETING as modus operandi: Grand; grander still’s dat dis plan on tweeting da nations
nonfictionally via #twitterfiction’s authored visionarily by (wo)men, of action.

ON TWEETING as modus operandi: Grand; grander still’s dat dis plan on tweeting da nations nonfictionally via #twitterfiction’s authored by da discoverors of an alchemy, hidden.

ON TWEETING as modus operandi: Grand; grander still’s dat dis plan on tweeting da nations nonfictionally via #twitterfiction’s authored by one who’ into a real-lit gig, gettin’.

ON TWEETING as modus operandi: Grand; grander still’s dat dis plan on tweeting da nations nonfictionally via #twitterfiction ‘s in honor of Ovid and Emily, written.

ON TWEETING as modus operandi: Grand! And grander still dat dis plan on tweeting da nations via #twitterfiction’s in honor too, of Oscar, Edward and Nelson.

1 PAGE: #34

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Da dreams duly sown (in fields, fallow), Art and his Crew wrote somethin’ pithy and useful #twitterfiction-ally … Dey’d ne’er starve … if da pithy … were useful.

Da odds? Astronomical; albeit slim and none summed da objective nonfictional odds, a course and #twitterfiction headings were set … Da heading … due north.

Da chances? Equally astronomical, given albeit too dat mankind (da idiot savant), has penchant and proclivity in nonfictional #twitterfiction, for inefficient development.

Dat better mouse traps had ere been built and great books had ever ere been written in nonfictional #twitterfiction left him stirred … but not shaken.

For it’s been Arthur’s overriding confidence in Da Him of whom hymns are sung dat’s given Arthur, in #twitterfiction, strength to heal humanity, albeit not himself (in nonfiction).

OR BOTH. A (wo)man’s #twitterfictional) writin’ changes dem, just as time, change, authors. Arthur’s well better than he once was, before when Arthur, became author.

BOTH ARE THE GOAL, da Holy Grail, to da (#twitterfictional) healing power of Art, doctors and educators. Too few others know. Yet others are keepin’ Kim’s Plan … under cover.

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1PAGE: #32

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@NelsonMandela: Good reason #1 to follow Arthur in @chachomanopapa’s #twitterfiction; everybody fits on Mt. King’s peak, in nonfiction.

@NelsonMandela: Good reason #2 to follow Arthur in @chachomanopapa’s #twitterfiction. Tutu-Mandela T and R Commissions inspired Arthur’s actions.

@NelsonMandela: Good reason #3 to follow Arthur in @chachomanopapa’s #twitterfiction. You’re certifiably nuts if … you don’t (in nonfiction).

@NelsonMandela: Yer certifiably insane if you read these 140 characters and don’t become wannabe-uber-mensch, in surreal … #twitterfiction.

In yer case Mr. Mandela, ye certainly are uber-mensch material. Until one follows Art tho, one isn’t certifiably … sane (in #twitterfiction).

In dis next to last tweet of 1 PAGE: #32, 7 tweets are bundled, in #twitterfiction-al, alchemical secret, into a real-time display, of reality-literature, nonfictional.

@NelsonMandela: Da risk is not in not havin”CERTIFIED SANE’ on resume. Da risk is indeed not remotely re homo-sapiens’ resumes; risk is in not pluralizin’ dis #twitterfiction-not.

1 PAGE: # 31

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In homage to an oh so misunderstood Friedrich Nietzsche: Aphorisms duly in turn pay homage to @NelsonMandela, in surreal, #twitterfiction-homage.

Blendin’ elements of da prose (for reporting-like story-tellin’), wid da more tangibly grippin’ poetry (for beautifully epic, storytellin’), in #twitterfiction.

Homage to Freddy and der uber-mensch uber alles, @NelsonMandela. Aptly: requisitioned out, ‘Zarathustra’ to WW-I Ger. troops in #twitterfiction-not.

Homage to Freddy, @NelsonMandela and ubers everywhere (da wannabes of nonfictional, reality-literature) surreally, #twitterfiction-al.

Get well soon der uber-mensch @NelsonMandela. Arthur, @chachomanopapa, may yet in #twitterfiction-al time, hug you, in nonfiction.

Consider @NelsonMandela following Art in surreal tragi-comic spectacle, wherein wannabes know not what they are, #twitterfiction-ally.

@NelsonMandela: A follow from you; pumpin’ up volume of wannabes to numbers surpassin’, not just Justin but da venerable Yao Chen in dis #twitterfiction.

Global Competition – All Expenses Paid Around the World Blogging Trip – Launched Today

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Global Competition – All Expenses Paid Around the World Blogging Trip – Launched 12/28, e-mailed to @uriminzok, cc: planet.