A SIMPLE EXPLANATION

A SIMPLE EXPLANATION

All the world’s still a stage. And all the men and women still merely, players; players though in a much larger morality play than ever played on any Globe Theatre stage in Shakespeare’s day.

Seek, explanations simple. Art Everman’s artful plot device is helpful; it has heroes forgetting what they dreamt about on Luna the previous evening — when back on Earth — the next day.

The plot and the subplots following are the stories of three children of The Creator; three strangely, estranged brothers and billions of others, similarly — estranged — and deranged.

Kim, Don and Art; three megalomaniacals; three lazy liars. Kim and Don became leaders of nations. Arthur became an Olympian drinker, become thereby, too oft, strangely deranged.

As is increasingly evident, the plots are thickening in The Creator’s great morality play; a universal showcasing of what is supremely ironically, in fact — a morality play — universal.

What’s so astonishing about that? About being watched by ETs? On Earth we too watch twits like me, on TV, all the time. Lord knows I’ll forever be cashing in, on my royalties, residual.

What’s so astonishing about being watched by extraterrestrials? We watch twits like me all the time on TV. The simplest explanation, happily, is that our existences are mere plays on stages;

with plots, luridly, unusual; what’s not to expect from creatures made in the image of Celestials. Witness creatures just like us; all around us just as viruses surround us virtually on, every stage.

Plots are thickening; simmering; threatening to boil over. Plots, lurid and unusual; Epstein’s dead and Ghislaine’s woes are now also, my woes. She’s got really really long toes as I recall.

The goings on nonfictional on Urantia, read, like fiction. But now that Kim, Don and Art (and Vlad and his guys too), in dreams conspire to inspire, lines blur. When the lines blur, recall,

the Urantia Book is a book drawn from minds, unknown. It’s authors and its medium all, unknown. Still, we share with them One Father. Who’s who, what’s what and what’s happening?

Asked by Art to lend my bully pulpit to serve as his platform, I’m ghost-writing MAYDAYS; my Nobel winning verse; publicly disagreeing with my public — statements and publicly, agreeing,

with Him. Because I’ve reconsidered, my future Nobel winning verse publicly disagrees with my public alter-ego and publicly agrees with Him Who is, no doubt — The Creator — these days.

He’s the One Who knows what’s what and what’s happening. And so I’ve agreed to lend Arthur my bully pulpit, to serve as his platform, for launching planet Earth’s SOS — MAYDAYS.

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